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16Pills opens in the hospital as Moore navigates the medical gaze: becoming spectacle as she is videotaped walking down the hall, talked about as if she were an object, wondered over her body as she drifts, unmoored, before surgery. Moore's essays explore with intimacy and candor the experiences of a contemporary feminist exploring the worlds of co-parenting, the absurdities of online dating, the art of mothering in a time of protest, the complexity of prescription drugs, and reflecting on generations of men and women in her Swedish- and Cuban-American family. Moore's book is at once thoughtful and honest, and is ultimately an investigation on making spaces for ourselves and meeting the desires of our own bodies. For readers of Leslie Jamison, Roxane Gay, and Lidia Yuknavich.
16Pillsis everything I want in an essay collection - rawness and humor, intimacy, problems, solutions, and a searing, radical intellect holding us in her brilliance. I devoured this jam-packed, revelatory book, and you will too.
--Michelle Tea, author of Against Memoir: Complaints, Confessions, and Criticisms
Like sitting with a super keen and deeply forthright friend, 16Pills confronts childhood, parenting, disability, patriarchy, books, ideas, dating, and sex with an unflinching eye and generous heart; Moore bravely reveals her successes, flaws, and failings as a mirror to our own. A must-read on femaleness and feminism and 21st-century middle age, 16Pills in an alarmingly honest, crucially timely book.
—Lynn Melnick, author of Landscape with Sex and Violence
Carley Moore is an essayist, novelist, and poet. 16Pillsis her first collection of essays (Tinderbox Editions, 2018). Her debut novel, The Not Wives, is forthcoming from the Feminist Press in the fall of 2019. In 2017, she published her first poetry chapbook, Portal Poem (Dancing Girl Press) and in 2012, she published a young adult novel, The Stalker Chronicles (Farrar, Straus, and Giroux). Her work has appeared in The American Poetry Review, Brainchild, The Brooklyn Rail, The Establishment, GUTS, The Journal of Popular Culture, The Nervous Breakdown, Public Books, and VIDA: Women in Literary Arts. She is a Clinical Professor of Writing and Contemporary Culture and Creative Production in the Global Liberal Studies Program at New York University and a Senior Associate at Bard College’s Institute for Writing and Thinking. She lives in New York City. Visit her on the web at www.carleymoore.com